In the Waiting Area
Artist’s Pen on Paper, 8.5×5.5″
I had to take my new-to-me minivan in for an oil change. While I waiting in the service waiting area, I drew this woman who was also waiting. She was quite still. There was a television on and she was watching pretty intently. I got her image very close to finished before her car was ready for her. You can see the lettering on the windows of the dealership on the upper left.
May 25, 2011
Oil on Linen Panel, 10×8″
This is not finished. I still have to correct the shape of the pot and I intend to change the color of the background. The reflections need some refining as well.
I swore I wouldn’t do another self-portrait but here I am in my green t-shirt as a reflection in this teapot. I guess it’s a stealth self-portrait. Reflective surfaces are not as difficult as most people presume them to be. They just reflect what is around them in a distorted way. The distortion makes it easier to lie and still communicate the reflective quality of the object. By placing the striped cloth under the pot the pattern becomes an aid to seeing the distorted reflected shapes including my own.
I learned to do this while still in high school. It taught me how to see the abstract shapes and their relative values. If you are familiar with Betty Edward’s Drawing on the Right Side of the Brain, you can see one of her premises at work. If you draw something that you cannot name except as a generalized category, like shape, then it becomes easier to draw. It suppresses the left brain function of language of categorization. These functions comprise the inner critic. The inner critic interferes with drawing by not letting us believe what we see. It makes us draw what we know to be there, not what we see. For example, I have students who will draw a table top when their eye level is too low to actually see the table top. When drawing something complex such as the distorted reflections of a shiny teapot, it forces the left brain critic to shut-up and let you draw. It allows one not to care about the result just the process. In other words, “The second you don’t give a shit, the drawings come out great!”
I did a little further research into Betty Edwards’ theoretical premises on right brain/left brain function and she is on the right track. Actually the ancient Greeks got it too. They said, ” People are of two minds. One perceives the other understands.” The left brain is a filing cabinet collecting the disjointed information it perceives. The right brain is more holistic providing a context for explaining the information. The right brain allows you to get a joke and to interpret the visual field. It allows for non-verbal, visual thinking.
May 25, 2011
Unadorned, Yet Adorned
Oil on Linen Panel, 16×20″
This painting has a peculiar history similar to that of this painting
. This image is the third incarnation. It started out very well with a white ladder backed chair in front of the sitter. Having to peek through the openings of the chair was interesting visually and spatially. But I couldn’t come to the second session to finish. It would never have been completed.
The following session, with a new pose, was for one time only. So I decided to paint over the previous figure. I tried to merge aspects of the previous figure into the new image and create a composite abstraction. It was not successful. I think that’s a venture requiring many drawings and paintings to master. So this horizontally oriented image is on top of that second, vertically oriented painting. I saved the striped pattern above this model’s shoulders from the second painting. I then invented it in the other places where the stripes continue on the left and where the stripes appear as a fragment at the lower right.
Someone made the commented that she was unadorned. I thought she was adorned quite well just as she was. But I also thought, since I am such a freak for pattern and color, that the adornment should surround her. She would luxuriate in pattern and color while remaining unadorned herself. So I included the patterns of the fabrics upon which she sat and added a second layer of loosely painted stripes horizontally, behind the ochre and green stripes, at her shoulder level.
I am very pleased with this painting. There is a floating quality and at the same time she seems firmly anchored in a believable space. This is in spite of the fact that I am constantly nudging my students not to present me with floating figures!
May 14, 2011
The Last Session
Watercolor on Rag Paper, 10×7″
Wednesday was the very last day of my basic drawing class. The Wednesday before that was the very last working session with a model for my life drawing class. This was the pose. The entire background is invented and comes from a piece of fabric I bought several years ago for still life painting. It comes in handy for draping the model too. In this instance it had been removed by a consensus of the class but its presence was still evident for me. Now for a busy summer…
May 13, 2011
First Time Modeling
Ball Point Pen on Paper, 8.5×5.5″
I substituted for a colleague a couple of weeks ago and this young man came to model for us the very first time. I mean the very first time for him. I gave him a few suggestions on what to do. Life drawing models have to have a lot moves in their repertoire. Beginners must do lots of quick gestures; at least 3 per minute. It’s the only way for a student to get out of one’s own way. By forcing fast work one cannot second guess her/his first perception and it shuts up the internal critic. It also emphasizes that when doing the human figure, the most important thing is what the model is doing not what the model looks like.
May 10, 2011
Watercolor on Masa Paper, 15×10.5″
I was looking through my digital images on my computer and discovered this from my trip to Florida. It’s a fellow artist painting in the studio at the local art center. I got a charge out of the fact that her sandals had hot pink trim which matched her t-shirt.
May 7, 2011
God of War
Watercolor on Rag Paper, 8×6″
Last Monday was the day after hearing of Osama Bin Laden’s death. No one in my life drawing class was anything more than relieved by the news and a little saddened by the memory of the attacks inspired by him. No over-the-top jubilation expressed by us. The seemingly endless violence in the world is something none of us wished to celebrate.
Our model, who is a former student of mine, suggested a martial pose. I said I wished we had an ancient Greek or Roman style helmet for that purpose. Then someone said a newspaper hat a la Napoleon might make a suitable substitution. All we needed then were some toy soldiers and toy tanks to acknowledge our sentiments for the occasion.
May 7, 2011
Waiting for a Summer Vacation
Artist marking Pen on Paper, 8×6″
This was done in my living room. My plants are as anxious to go out in some warm weather as I am. Only now is the weather moderating in anticipation of summer. I have canceled my arrangements to build an ark because it has finally stopped raining.
I am using some different materials for this drawing. I bought sepia, sanguine, and black fine tipped artists’ markers. Supposedly they are permanent and light fast. It is a little more complicated using 3 different tones for a drawing like this so it takes a little longer to execute. This kind of limited palette is quite out of character for me since I love brilliant color. A change-up once in a while never hurt anyone. I think it stimulates some creative juices and exercises some artistic muscles.
May 3, 2011
Stage of the Lyric Opera
Ball Point Pen on Paper, 5.5×8.5″
This is another drawing done at the Lyric Opera of Chicago from the lower upper balcony. The previous drawing was of the under curtain. This is the fire curtain. I think the proportions are more accurate than my first attempt. It also reflects my high position in the balcony. The place is rich with art deco pattern so for a pattern freak like me it’s a delight.
May 3, 2011
Ball Point Pen on Paper, 8.5×5.5″
This is a second drawing from the hall in front of the sculpture garden. It’s a much better rendition of the model’s head and shoulders. He has a marvelous bone structure which makes him fascinating to draw. I find there is always something that makes someone interesting to draw. It’s just the richness of human variety.
May 1, 2011